The Lovers from Family Portraits by Maria Mavropoulou, a staged photograph of glowing connected devices posed as an intimate couple, exploring digital intimacy and human–technology relationships.

The Lovers

Family Portraits

The screens of the connectible devices we use are the only way we can have access to this parallel man-made universe, the Internet. Our lives have changed, from the simplest task to the way we perceive the world around us. Those devices guide us trough the real world, they answer our questions, they advice us and keep us company day and night. We look at them, touch them and talk to them in almost an intimate way.

Acknowledging these facts made me look at these devices from a different perspective. In this series I create family portraits of devices, reversing the subject/object relation. In this casual scenery of our everyday life, our comfort zones this multitude of glowing immersive gates, like an opposite of black holes, promise limitless possibilities. Information, entertainment, human connection and much more, are available anywhere and anytime, breaking the physical bond with the reality that surrounds us.

 Never before had communication been so easy. Social networks and countless applications are created to serve our constant need for human connection but is there any chance that we have achieved the opposite?

Having for the first time in history such an easy and direct access to a huge and constantly increasing volume of information has made us wiser or are we just creating a detailed and multidimensional mirror of ourselves where we constantly seek our reflection as a confirmation of our existence?  Or do these ‘’extensions of our hands’’ have actually replaced our best friends, our family or even our lovers?

Sunday Afternoon from Family Portraits by Maria Mavropoulou, showing connected devices staged as family members in an everyday domestic scene, exploring screen-mediated companionship and isolation.

Sunday Afternoon

Anniversary Dinner from Family Portraits by Maria Mavropoulou, a staged photograph of digital devices occupying an intimate dining scene and questioning technology’s place in human relationships.

Anniversary Dinner

Evening with Friends from Family Portraits by Maria Mavropoulou, showing glowing screens gathered like companions and examining digital connection, social life and technologically mediated intimacy.

Evening with Friends

Uncle’s Visit from Family Portraits by Maria Mavropoulou, a domestic portrait in which connected devices assume family roles, reversing the relationship between technological object and human subject.

Uncle’s Visit

Breakfast in Bed from Family Portraits by Maria Mavropoulou, showing illuminated devices in an intimate bedroom setting and questioning whether screens replace lovers, friends and family.

Breakfast in Bed

The Gathering from Family Portraits by Maria Mavropoulou, a staged group portrait of connected devices exploring digital companionship, domestic life and the human need for connection.

The Gathering

Movie Night from Family Portraits by Maria Mavropoulou, showing screens assembled in a familiar leisure scene and examining entertainment, social isolation and technology-mediated togetherness.

Movie Night

Birthday Party from Family Portraits by Maria Mavropoulou, a staged celebration populated by connected devices, exploring screen culture, digital companionship and the reversal of subject and object.

Birthday Party

The Hug from Family Portraits by Maria Mavropoulou, showing connected devices arranged in an embrace and exploring technological intimacy, affection and the substitution of human relationships by screens.

The Hug

The Strangers from Family Portraits by Maria Mavropoulou, a staged portrait of connected devices examining alienation, screen-mediated relationships and distance within contemporary domestic life.

The Strangers

 
Holy Trinity from Family Portraits by Maria Mavropoulou, showing three connected devices as a symbolic family group and exploring technology, devotion, digital intimacy and contemporary ritual.

Holy Trinity

Numeric Love from Family Portraits by Maria Mavropoulou, a staged photograph exploring affection between connected devices, synthetic intimacy and the influence of screens on human relationships.

Numeric Love

 

Although Family Portraits started as a photography series it soon evolved into a Virtual Reality tour too.

The main idea of this VR tour was to create a house interior  that is a common  experience for most of us, but make the visitor feel as an intruder in somebody else’s house. By depriving the familiar feeling one perceives the rather usual scenery as extraordinary, letting him evaluate the situation he is into with a fresh perspective.

Inside this virtual installation photography is the building block of an experience. Being surrounded by a photograph that looks nearly as real as reality poses even more questions about what photography is and where that leads us.

Furthermore the screens inside the virtual tour are navigable also. Just by looking at them the viewer is transferred inside them, experiencing environments that exist only digitally. Immerged into videos and surrounded by sounds the real and the virtual come closer, making it difficult to rely on your senses.

360-degree video still from Family Portraits VR, 2019, placing the viewer inside an uncanny domestic interior where photography and screens connect physical and digital environments.

360 Video still, part of Family Portraits VR tour, 2019

360-degree video still from Family Portraits VR, 2019, showing an immersive domestic space in which connected screens become portals to environments that exist only digitally.

360 Video still, part of Family Portraits VR tour, 2019

360-degree video still from Family Portraits VR, 2019, exploring virtual reality, photographic immersion and the uncertain boundary between sensory experience and digital space.

360 Video still, part of Family Portraits VR tour, 2019

Panoramic 360-degree image from Family Portraits VR, 2019, depicting an uncanny virtual home where screens, photography and navigable digital environments merge.

panoramic 360 image, part of Family Portraits VR tour, 2019


Installation Views

 
Installation view of Family Portraits in Modern Love at EMST, Athens, 2023, showing staged photographs of connected devices presented as family members and intimate companions.

2023/ Installation view of Modern Love (or love in the age of cold intimacies) National Museum of Contemporary Art (EMST), Athens, Greece

Installation view of Family Portraits in Modern Love at EMST, Athens, 2023, presenting photographs that explore screen culture, digital intimacy and human–technology relationships.

2023/ Installation view of Modern Love (or love in the age of cold intimacies) National Museum of Contemporary Art (EMST), Athens, Greece

Installation view of Family Portraits in Modern Love at EMST, Athens, 2023, showing works that reverse subject and object by portraying connected devices within domestic family scenes.

2023/ Installation view of Modern Love (or love in the age of cold intimacies) National Museum of Contemporary Art (EMST), Athens, Greece

Installation view of Family Portraits in Modern Love at EMST, Athens, 2023, presenting Maria Mavropoulou’s photographic study of digital companionship, isolation and screen-mediated connection.

2023/ Installation view of Modern Love (or love in the age of cold intimacies) National Museum of Contemporary Art (EMST), Athens, Greece

Installation view of Family Portraits in Modern Love at Tallinn Art Hall, Estonia, 2021, showing photographs of connected devices staged as family members and intimate companions.

2021/ Installation view of Modern Love (or love in the age of cold intimacies) Tallinn Art Hall, Estonia

Installation view of Family Portraits in Modern Love at Tallinn Art Hall, Estonia, 2021, presenting works about digital intimacy, domestic screen culture and human–technology relationships.

2021/ Installation view of Modern Love (or love in the age of cold intimacies) Tallinn Art Hall, Estonia

Installation view of Family Portraits in Modern Love at Museum für Neue Kunst, Freiburg, 2021, showing staged photographs that examine connected devices, companionship and social isolation.

2021/ Installation view of Modern Love (or love in the age of cold intimacies) Museum für Neue Kunst, Freiburg, Germany

Installation view of Family Portraits VR at the 60th Thessaloniki International Film Festival, 2019, showing the immersive virtual-reality presentation and its domestic digital environment.

2019 / Installation view of “Family Portraits VR” at 60th Thessaloniki International Film Festival’ s VR section, Warehouse 1, Thessaloniki, Greece.

Installation view of Family Portraits VR at the 60th Thessaloniki International Film Festival, 2019, presenting an immersive photographic exploration of screens, intimacy and virtual space.

2019 / Installation view of “Family Portraits VR” at 60th Thessaloniki International Film Festival’ s VR section, Warehouse 1, Thessaloniki, Greece.

Installation view of Family Portraits VR in For Ever More Images? at the Onassis Cultural Centre, Athens, 2019, showing the project’s immersive virtual domestic environment.

2019 / Family Portraits VR tour, part of “For ever more images?” exhibition at Onassis cultural centre, Athens, Greece.

Installation view of Family Portraits VR in For Ever More Images? at the Onassis Cultural Centre, Athens, 2019, presenting photography, screens and navigable digital space through virtual reality.

2019 / Family Portraits VR tour, part of “For ever more images?” exhibition at Onassis cultural centre, Athens, Greece.